I am currently not able to work as your licensing process insists that the max number of activations is already used and I can not activate it on this computer. This one is actually listed in the account as activated.
There is no way to deactivate that one from the website and also not from the computer (Macbook Air) and reinstall it.
Please revisit your subscription process and make it work as simple as the Hindenburg products.
Adding information about this process in the support page or knowledgebase would also be really helpful, but at the moment it deals only with perpetual licenses (which I am very likely move towards as this type of subscription needs to work flawlessly to be of any value).
Thank you.

Firstly would it possible to instigate a batch export feature of audio directly from the timeline for groups/Merged audio files directly in both PRO and Narrator versions? At the moment the closest thing is doing a batch export is from the clipboard (Ctrl + shft + E). But you still have to select each segment individually which is very time consuming - especially when labelling up many small clips for exporting to playout systems. It would be easier to select groups/merges of audio directly on the timeline then export each one as mp3 or wav from the clipboard. Or having to select them, relabel them by having to chapterise them in a linear fashion which again takes up vital time.

Logic Pro has the ability to export invidual files from its timeline. And similarly Sadie has the ability to do a 'multi' clip bounce. This would be very handy to export many takes of a podcast or in my case news clips in a fast and efficient manner.

Also on behalf of a colleague, why isn't there a merge function on the Narrator version of Hindenburg and there is one on the Pro function? Could this be instigated?

Many thanks in advance for any help you can give me?
Best
Rupert

The best evidence suggests that when exporting a file, The export dialogue parameters are misleading. If once Alex -16 LUFS and mono, the best evidence suggests that it is auto adjusted to be -19 LUFS, which is the mono equivalent to -16 stereo. But there’s no indication in the dialog box that this is happening. Therefore, if an informed user, recognizing that -19 LUFS is the correct setting for mono, manually changes the output setting to -19 LUFS mono, they would — if the protocol continues — get a resultant file of -22 LUFS. This automatic adjustment and conversion is not explain to the documentation anywhere that I have found, and nor is there any sort of an alert or clarification of this process in the dialog box during the export process. This will lead to in accurate files as a result.

Something that has been bugging me since I started working with Hindenburg: how to create volume curves. It's pretty straightforward for fade in/out and simple ducking, but more complex curves (e.g. for music) are a pain to create. Is there a deeper reason why it's not possible to create cue points on the curve that you can drag up and down, like in other DAWs? I'm working on a project at the moment where I create audio curves like on the attached screenshot. While it is possible to do that in Hindy, it would be a lot easier if you could just create a curve by adding points.

I have a KVM switch built into my monitor, which I use to share a keyboard, trackpad – and audio interface between a pair of computers on my desk."Helpfully", when I switch away from the computer running Hindenburg Journalist Pro (and the audio interface disappears 'cos it's now connected to my other computer) the little "found a new interface" window comes up, and when I switch back to it, I similarly get that dialogue. It'd be handy if I could lock Hindenburg to a certain interface so that it would not throw these dialogues even if it disappears for a little while.