I love the option to change loudness targets when publishing or exporting in Journalist Pro. I would also like to have the option to change the true peak limit to -1.5, -2, or -3 dB to allow for different platform and media needs.

Is NPI support on the HPJ roadmap?

https://techcrunch.com/2018/04/06/skype-targets-podcasters-and-live-streamers-with-a-new-feature-for-recording-video-calls/

Thanks much!

Working with multiple clips it can be hard to remember the exact content of the clip even with a new name. I would suggest a feature that make it possible to add a description in text to a clip in the clipboard. The text will show when you highlight a clip.

On a Mac, it's common to zoom to. like on an iPhone when using the Magic Trackpad. It is a big change to zoom with the scroll movement. Maybe you could provide an optional function in the settings.

It would be wonderful to be able to record host-guest interview tracks in FR using two mics. Is there a way for the app to be able to sync with two outboard Bluetooth mics?

A dream use case is being able to do walk and talk interviews (say, in a museum or historic city center) using high quality, noise isolating Bluetooth headsets. Even for normal field interviews, it would be great to be able to use independent handheld cardioid mics.

Any chance this may fit within your product plans? Thank you!

In Ultraschall.FM (a Podcasting Template for Reaper) you can implement a soundboard as VST-Plugin and a ducking automation as VST either. For producing a live-podcast in Hindy this would be nice to heave.

As of now, we have the ability to lock regions into groups, even over different tracks. That's nice. But:
I have grouped regions on two tracks. If I make a cut on track 1, the position of my grouped regions to eachother will be changed. This defies the purpose of grouped regions.
Please lock the positions of grouped regions to each other.

To duck a soundbed of music or ambience you have to select many regions and reduce the levels by draging with the mouse and watching the target levels in the little window above the region.

If these target levels are the same over a wide range of the session, a big improvement could be this workflow:

You type the target level into an additional window of the session properties (or somewhere else).

Then select the ducking region as usual and press a shortcut - and the level will be reduced automatically to the predefined number.

What a time saving feature!

Custom keyboard shortcuts are the way to streamline the workflow. So far, I find the predefined shortcuts clumsy and awkward. I know you're product is different, but if there's one thing you can emulate from Adobe Audition, it's the ability to create custom keyboard shortcuts. that's going to be a game changer.

My workflow would greatly improve if I could use a control surface/mixer interface with Hindenburg. Most of them use MIDI to connect (e.g. behringer, presonus faderport, etc.). It's incredibly disappointing that software this expensive has no compatibility with any of the control surfaces I use.

It would be nice to automatically overwrite dated files, such as newscasts, when uploading new content to Soundcloud. WSKG uses it to create an RSS feed for the Alexa Flash Briefing.

It would be great to be able to change the height of tracks individually to minimize their visual space in the edit window. Example -- a track of raw tape back up -- just to have a linear reference -- but I 99% of the time I don't need to see it expanded.

The menu item View > Markers does not show Cue Points which is a pity. I propose inserting a new menu item View > Cue Points which shows a list of all cue points.

Just for the fascination of knowing, I'm curious about my edit counts when I'm working on a project. Think "word count" but for audio editors.

Fun idea.

Where I can find the function of inserting silence. Very useful function in radio. The Silence is not the same as "nothing" or white noise.

Jerzy.

Waiting for an email response is absurd. Please begin providing live chat support on your website.

Having observed many a book exported in HABC (NLS), I've noticed that Hindy uses a single core to encode audio files even if there are multiple cores available (see attached). I think it would speed up the process (and reduce the thumb-twiddling) if Hindy could make use of all available cores.

Knowing the frequency response of the microphones I am using (e.g. Sennheiser MD 42) when working on recorded material I always find myself repeating the same EQ settings for the same source (microphone).

It would be great to be able to save personal presets.

(like already with the more complex "voice profile")

This is a rather simple but helpful one:

Aso of now (build 2182), we can achieve left/right stereo panning by using a simple slider. That's great.
But to do this precisely or symmetrically, one has to count pixels on that slider.
I'd like to see some sort of simple tooltip to help us with that. Something like:
100% Left ... 1% Left ... Center (or 0%) ... 1% Right ... 100% Right

That's all.