OS: Windows 10
Version: Hindenburg 1.82.2302

I noticed the following behavior and I think, this is a bug:

When I connect a Zoom H6 Fiel recorder to the computer and use the the H6 in as interface in multi track mode, I can choose different inputs for different tracks, for example Microphone 3 and 4 in Hindenburg for H6 channels 1 and 2 (XLR inputs).

I can see the levels of both microphones in Hindenburg separately on both tracks, just as I would expect.

But ony the first of the both channels is recorded on both tracks. The second microphone is not recorded.

I can reproduce this behavior with inputs Microphone 5 and 6 in Hindenburg for H6 channels 3 and 4, too.

This problem doesn't seem to occur when switching on ASIO.

As the levels are correctly displayed I suspect this is caused by Hindenburg Journalist. In Reaper I cannot reproduce the behavior.

See attached screenshot to view inputs, levels and recorded waveforms.

Occasionally, when producing a podcast you leave a little bit of audio at the far right - you might have moved it there on purpose while editing. The result is your lovely podcast, which plays all the way through, then a big gap, then a little clip of audio.

As a suggestion, when publishing or exporting a file, you could detect long periods of silence and place this in the dialog box at the end, as an advisory for editors. "For information: this audio contains 183 seconds of silence." That, alone, would be enough to at least notice that something isn't, quite, right.

Hi,

I'm currently running into a serious issue because I'm working with two distinct audio tracks that go hand in hand (an interview). I'm torn between just editing from the track or organizing everything into the clipboard first. The issue with the latter is I don't know how to sync my clips up later, especially when there's interjection. Currently, all the clipboard does is show how long the clip is (which isn't really important) instead of at what time the clip was cut (for example, 45 seconds). If I had that, I would know exactly how to put the puzzle back together to say the least.

Hindenburg is incredibly powerful but mixdowns / renders can be very time consuming if effects have been used, particularly if there are several tracks to process.

While I realize that some of that is unavoidable, the way Hindenburg matches loudness targets is to process the mix twice - once to determine loudness processing needs and again to apply them. It seems like the duplicate processing could be cut in half if the mix was first rendered to a temp file and then that file processed for final loudness and export / publish.

Depending on the amount of processing in a file, this could cut nearly 50% of the render time.

Additionally, if publishing files with exactly the same output format and settings, it would be great if Hindenburg could group those, process the final file once, and then publish to all destinations rather than publishing multiple times.

Depending on the number of destinations and duplicate files, this could cut export / publish time by well over 50% and keep people within the Hindenburg interface rather than creating workarounds.

Hello, I am a blind journalist and I would like first tou congratulate you for the accessibility's work that you did in this program. Neverttheless, it is not possible for me to contrôle and modify the volume of my traks because this fonction seems to be only visual. Does it exist some short cut which allaws blind people to increase or decrease a track's volume? Otherwise, maybe you could include a parameter in the menu for this? Anyway, I hope you will be able to suggest me something quickly about that.
I am French and I am using Hindenburg on Windows

Hi Hindenburg,

I'd love a feature where I could change the default blue colour to red or green or whatever, depending on my editing process.

When editing, I have to use a separate notepad with time markings to say what needs to be changed. But I'd love to be able to highlight the audio boxes with different colours (red for re-record narration, green for adjusting P-pops, yellow for audio quotes that need to be verified by an independent source etc). This is how I run my email software - different colours for different types of emails/work. This is super handy because it's easy to get lost in the all the microedits and reviews at different stages. Before hitting publish, I could zoom out and ensure there were no coloured boxes left and then know it's ready to publish.

Thanks,
James